Review of "The Zen Art Book"

The Zen Art Book: The Art of Enlightenment

By Stephen Addiss and John Daido Loori

Reviewed by H. E. Davey

Paperback: 128 pages

Publisher: Shambhala; 1 Original edition (November 3, 2009)

Language: English

ISBN-10: 159030747X

ISBN-13: 978-1590307472

Dimensions: 8.9 x 7 x 0.5 inches

List price: $21.95 (US)

When a Zen adept, or indeed any artist, puts brush to paper, the ensuing image is a picture of the state of his or her psyche. Therefore in Zen, artistic expressions are “lessons,” intended to cause the viewer to pause and reflect on ultimate reality.

In this book, forty well-known examples of painting and calligraphy by celebrated Zen teachers such as Hakuin (1685–1768) and Sengai (1750–1837) are reproduced along with observations that shed light on both the artwork and its symbolism. In essence, opposite the photo of the artwork, readers will find remarks by the two authors listed as “Zen Commentary” and “Art Comment.” The writers’ essays at the beginning of the volume present a foreword to the artistic and educational aspects of Zen art.

Mr. Loori’s treatise Art as Teacher is especially valuable to anyone exploring the deeper meaning of art, but readers should realize that while Zen is often cited for using art as moving meditation, many people in Japan practice crafts like calligraphy as meditation, and they do so without any affiliation with Zen. In short, Zen does not have a monopoly on meditative Japanese art. With that noted, Zen certainly does have a lengthy tradition of integrating its philosophy with art, something this book explains well.

The ink paintings (sumi-e) and brush calligraphy (sho) in The Zen Art Book display elements that are at times insightful, impenetrable, serious, funny, and beautiful. Although bigger, more complete, and more beautiful books on Zen art are available, The Zen Art Book is less expensive than these works, providing a concise and effective introduction to this topic and an illuminating introductory essay by Zen practitioner John Daido Loori.

About the Reviewer: H. E. Davey, the Director of the San Francisco Bay Area-based Sennin Foundation Center for Japanese Cultural Arts, is also the author of The Japanese Way of the Artist, Brush Meditation: A Japanese Way to Mind & Body Harmony, Japanese Yoga: The Way of Dynamic Meditation, and other works. He is a direct student of the famed calligrapher Kobara Ranseki Sensei, and he holds the highest rank in Ranseki Sho Juku calligraphic art. His Japanese calligraphy and painting has been in numerous exhibitions in Japan, where he has received multiple top awards. For more information about H. E. Davey and his classes in Japanese arts and forms of meditation, visit www.senninfoundation.com.

Review of "How to Wrap Five Eggs"

How to Wrap Five Eggs: Traditional Japanese Packaging

By Hideyuki Oka

Photographs by Michikazu Sakai

Reviewed by H. E. Davey

Paperback: 224 pages

Publisher: Weatherhill (October 14, 2008)

Language: English

ISBN-10: 1590306198

ISBN-13: 978-1590306192

Dimensions: 10.1 x 7.2 x 0.9 inches

Retail Price: $30 (US)

This classic book was first available in 1975 and titled How to Wrap Five More Eggs. It was created by the late Oka Hideyuki, with exceptional photography by Sakai Michikazu. In many ways a “coffee table book,” this work’s striking full-page photos effectively portray the integration of classic Japanese aesthetics into daily life in Japan. How to Wrap Five Eggs is worth purchasing for the pictures alone, which comprise the majority of the book.

Time-honored Japanese packaging is an art that applies refined design and natural aesthetics to everyday objects. In Oka Hideyuki’s graceful presentation of the baskets, boxes, wrappers, and containers that were used in run of the mill, daily Japanese existence, readers are presented with eye-catching illustrations of an era prior to mass production in Japan. Principally constructed of bamboo, rice straw, hemp cord, paper, and leaves, all of the items revealed in the book come from natural substances. Through 221 black-and-white photographs of genuine models of long-established Japanese packaging—with notes on the genesis, materials, and use of every piece—the objects presented advocate looking into a rapidly disappearing craft, while they also remind us of our relationship to the natural world and the value of handicrafts that were at one time active and vibrant in scores of people’s lives.

In many industrialized societies, handmade objects are quickly fading away, and this is especially sad to see in Japan, a culture that once epitomized the idea that everyday items can be crafted and presented in a manner that adds meaning and beauty to our lives. Traditional Japanese culture at one time embodied the notion that how something is done is as important as the final outcome of a given action, and that how an object is presented and packaged is as important as the item in the wrapper. This philosophy of merging beauty with daily activities, and with commonly used objects, makes life better in countless ways, an idea we can all benefit from, and an idea well-presented in How to Wrap Five Eggs.

About the Reviewer: H. E. Davey, the Director of the San Francisco Bay Area-based Sennin Foundation Center for Japanese Cultural Arts, is also the author of The Japanese Way of the Artist, Brush Meditation: A Japanese Way to Mind & Body Harmony, Japanese Yoga: The Way of Dynamic Meditation, and other works. He is a direct student of the famed calligrapher Kobara Ranseki Sensei, and he holds the highest rank in Ranseki Sho Juku calligraphic art. His Japanese calligraphy and painting has been in numerous exhibitions in Japan, where he has received multiple top awards. For more information about H. E. Davey and his classes in Japanese arts and forms of meditation, visit www.senninfoundation.com

Fudoshin Calligraphy

 

This is H. E. Davey’s calligraphy of fudoshin, or “immovable mind.” You can click on the images to enlarge them.

Fudoshin is the goal of many Japanese arts and forms of meditation. It doesn’t describe a rigid, hardheaded state of mind, but rather a condition of complete mental stability, one that isn’t easily disturbed by whatever comes up in life.

It is painted using sosho and gyosho scripts, in the style of master calligrapher Kobara Ranseki Sensei. This piece of artwork was featured in Furyu magazine, along with the books Brush Meditation and The Japanese Way of the Artist.

All skillful Japanese calligraphy should display a unity of calm and action. In this case, Davey Sensei’s brushwork is so dynamic that it appears to be moving, but each character is still balanced and composed. This is the result of over 25 years of shodo training in the USA and Japan.

You can commission Davey Sensei, Sennin Foundation Director, to create this fudoshin calligraphy for your home, office, or meditation room. He can be contacted at hedavey@aol.com.

H. E. Davey's Calligraphic Art

These two scrolls by Hiseki Davey Sensei were shown at a major exhibition of Japanese calligraphy held in San Francisco in 2000. They also were shown at the Kokusai Shodo Ten in Urayasu, Japan, where they received top awards.

The calligraphy on the left is an example of Davey Sensei's kanji art, and the Chinese characters read, "Rocky mountains are embraced by white clouds." The art on the right is an example of his kana calligraphy, with a large Chinese character meaning "waterfall," which was painted to resemble a waterfall. It reads, "The waterfall no longer flows, but its sound remains in my mind and heart."

Davey Sensei can create similar hanging scrolls for your home or office. Contact him at hedavey@aol.com.

Japanese Yoga

http://senninfoundation.com/davey_yoga.html

Nakamura Tempu & Japanese Yoga

Nakamura Sensei lived in India, where he studied the art of Raja yoga, the yoga of meditation. After studying medicine at Columbia University, he blended Indian meditation and health improvement with his background in medicine, psychology, Japanese healing arts and meditation, and Japanese... martial arts. He taught for many years in Japan, authored best-selling books, and counted among his students a large number of Japan's top executives, politicians, fine artists, athletes, martial artists, and people from every walk of life. But few Westerners have yet been exposed to these extraordinary teachings. Learn more at http://www.senninfoundation.com/.