Beginning today, treat everyone you meet as if they were going to be dead by midnight. Extend to them all the care, kindness and understanding you can muster, and do it with no thought of any reward. Your life will never be the same again. ~Og Mandino
The Sennin Foundation Center for Japanese Cultural Arts was established in 1981 in the San Francisco Bay Area. It offers classes in traditional Japanese systems of yoga and meditation, healing arts, martial arts, and fine arts. Visit www.senninfoundation.com for more information.
Tuesday, May 1, 2012
Tuesday, March 20, 2012
Sawai Atsuhiro & H. E. Davey News
Sawai Atsuhiro Sensei, Sennin Foundation Senior Advisor, has become the Headmaster of the Wakuwaku Hoshin Juku in Osaka . He was appointed to this position by the President of the new group Ikeda Hikaru Sensei. Wakuwaku Honshin Juku is devoted to the exploration of meditation and spiritual disciplines, with an emphasis on the teachings of Nakamura Tempu Sensei, the founder of the Shin-shin-toitsu-do system of Japanese yoga and meditation. Sawai Sensei was one of Nakamura Sensei’s closest students, and he has over 50 years of training in Japanese yoga. He is also the author of more than one best selling book on this subject in Japan .
H. E. Davey, Director of the
Nakamura Sensei lived in
Thursday, March 15, 2012
Einstein
“A human being is a part of the whole called by us universe, a part limited in time and space. He experiences himself, his thoughts and feeling as something separated from the rest, a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty.”
― Albert Einstein
― Albert Einstein
Healing Arts at the Sennin Foundation Center
Nakamura Tempu Sensei, founder of the Shin-shin-toitsu-do system of Japanese yoga, also taught a method of self-healing and bodywork (hitori ryoho or hitori massage). His emphasis was on yuki, which is the transference of life energy through a massage-like technique.
In most aspects of life, it is vital to be able to throw 100 percent of ourselves into the moment at hand, and this positive mental... state is called Ki no dashikata, or "the projection of life energy." When our life energy freely exchanges with the life energy that pervades Nature, we're in our happiest and healthiest state.
We've all met exceptionally positive and animated individuals, people who project a "large presence." The intangible, but unmistakable, "big presence" an energetic individual is projecting can be thought of as universal life energy, and it is an indispensable aspect of yuki.
And in Japan, the universal essence that pervades all of the Nature has a name. It is called Ki.
Yuki means "transfusion of Ki," and it functions in a way that is not dissimilar to a blood transfusion (yuketsu). In essence, it is possible, by studying methods of mind-body coordination and Shin-shin-toitsu-do meditation, to learn to transfer Ki from the thumbs, fingertips, and palms to weakened parts of the body, as a way of boosting the natural healing process. Students at the Sennin Foundation Center for Japanese Cultural Arts can receive instruction in this unique art of healing.
"I've found the healing arts instruction at the Sennin Foundation Center for Japanese Cultural Arts to be logical, simple, and comprehensive. Of equal importance, I've been able to use these techniques to help heal my own injuries and illnesses as well as those of some of my friends."--A Sennin Foundation student.
In most aspects of life, it is vital to be able to throw 100 percent of ourselves into the moment at hand, and this positive mental... state is called Ki no dashikata, or "the projection of life energy." When our life energy freely exchanges with the life energy that pervades Nature, we're in our happiest and healthiest state.
We've all met exceptionally positive and animated individuals, people who project a "large presence." The intangible, but unmistakable, "big presence" an energetic individual is projecting can be thought of as universal life energy, and it is an indispensable aspect of yuki.
And in Japan, the universal essence that pervades all of the Nature has a name. It is called Ki.
Yuki means "transfusion of Ki," and it functions in a way that is not dissimilar to a blood transfusion (yuketsu). In essence, it is possible, by studying methods of mind-body coordination and Shin-shin-toitsu-do meditation, to learn to transfer Ki from the thumbs, fingertips, and palms to weakened parts of the body, as a way of boosting the natural healing process. Students at the Sennin Foundation Center for Japanese Cultural Arts can receive instruction in this unique art of healing.
"I've found the healing arts instruction at the Sennin Foundation Center for Japanese Cultural Arts to be logical, simple, and comprehensive. Of equal importance, I've been able to use these techniques to help heal my own injuries and illnesses as well as those of some of my friends."--A Sennin Foundation student.
Tuesday, February 21, 2012
“Realizing that our minds control our bodies while our bodies reflect our minds amounts to understanding the most fundamental aspects of ourselves. It further equals a comprehension of the relationship between our “tools.” And since the mind and body are interrelated, this understanding makes it easier to see why coordinating them is a practical way of using these tools to greatest effect—a way of using the mind and body to live our lives as art.”
― H.E. Davey, Japanese Yoga: The Way of Dynamic Meditation
― H.E. Davey, Japanese Yoga: The Way of Dynamic Meditation
Friday, February 17, 2012
Quote
“While we can learn or study techniques for almost anything we might want to accomplish, real understanding is not the mere accumulation of knowledge. Understanding cannot be realized by listening or reading about the realization of others. It must be achieved firsthand via substantive, direct perception in the moment.”
― H.E. Davey, Japanese Yoga: The Way of Dynamic Meditation
― H.E. Davey, Japanese Yoga: The Way of Dynamic Meditation
Wednesday, February 15, 2012
No art takes places without inspiration. Every artist also needs effective knowledge of his or her tools (e.g., does a certain brush function well with a particular kind of paint?). What’s more, artists need effective techniques for using those tools.
Likewise, to express ourselves skillfully with maximum efficiency and minimum effort, we need to investigate the most effective ways of using the mind and body since, in the end, they are the only “tools” we truly possess in life.
H. E. Davey, Japanese Yoga: The Way of Dynamic Meditation
Likewise, to express ourselves skillfully with maximum efficiency and minimum effort, we need to investigate the most effective ways of using the mind and body since, in the end, they are the only “tools” we truly possess in life.
H. E. Davey, Japanese Yoga: The Way of Dynamic Meditation
Tuesday, January 10, 2012
Holiday
The Sennin Foundation Center will be closed on Monday, January 16. We hope everyone has a nice holiday.
Sunday, December 18, 2011
Kobara Sensei 7th Year Memorial Service
On December 17th, 2011 the Seventh Year Memorial Service for Kobara Ranseki Sensei took place at the Buddhist Church of San Francisco at 1:00 PM. Kobara Sensei was the founder and Shihan ("Headmaster") of the Ranseki Sho Juku system of Japanese calligraphy and painting as well as the Vice President of the Kokusai Shodo Bunka Koryu Kyokai, which is based in Urayasu, Japan.
The private service was attended by around 20 people, mostly members of the Kobara family and H. E. Davey Sensei and Miyauchi Somei Sensei, two of his closest students of shodo. Although Kobara Sensei taught many people the ancient art of brush calligraphy over several decades, only four people ever received Shihan-Dai, the highest level of teaching certification. Davey Sensei and Miyauchi Sensei are the last two living Shihan-Dai of Ranseki Sho Juku shodo. They lead the Wanto Shodo Kai, "East Bay Shodo Association," in Oakland, California. Davey Sensei is also the Director of the Sennin Foundation Center for Japanese Cultural Arts, where classes in Integrated Shodo & Meditation are offered.
A Jodo Shinshu Buddhist service started the event, followed by a traditional offering of incense to Kobara Sensei by members of his family, Miyauchi Sensei, and Davey Sensei. The memorial service closed with comments from Kobara Kazuko, Kobara Sensei's wife. She recalled his deeply spiritual nature, how he viewed most everyone as members of his family, and how his last words were expressions of gratitude.
Following the service, refreshments were offered at the church social hall, which contained pictures of Kobara Sensei as a child, teaching shodo, receiving awards at international shodo exhibitions, and being presented with the Order of the Rising Sun by the Japanese government.
Thursday, December 15, 2011
The Japanese Way of the Artist
The Japanese Way of the Artist is a collection of three of H. E. Davey's most popular books. It's published by Stone Bridge Press (www.stonebridge.com). Included in a single volume are:
* Living the Japanese Arts and Ways: 45 Paths to Meditation & Beauty
* Brush Meditation: A Japanese Way to Mind & Body Harmony
* The Japanese Way of the Flower: Ikebana as Moving Meditation
The three works anthologized here are essential to understanding the spiritual, meditative, and physical basis of all classical Japanese crafts, fine arts, and martial arts. Living the Japanese Arts & Ways covers key concepts—like wabi and “stillness in motion”—while the other two books show the reader how to use brush calligraphy (shodo) and flower arranging (ikebana) to achieve mind-body unification. Illustrated with diagrams, drawings, and photographs.
* Living the Japanese Arts and Ways: 45 Paths to Meditation & Beauty
* Brush Meditation: A Japanese Way to Mind & Body Harmony
* The Japanese Way of the Flower: Ikebana as Moving Meditation
The three works anthologized here are essential to understanding the spiritual, meditative, and physical basis of all classical Japanese crafts, fine arts, and martial arts. Living the Japanese Arts & Ways covers key concepts—like wabi and “stillness in motion”—while the other two books show the reader how to use brush calligraphy (shodo) and flower arranging (ikebana) to achieve mind-body unification. Illustrated with diagrams, drawings, and photographs.
Tuesday, December 13, 2011
An Excerpt from Chapter Two: Introduction to Mind & Body Unification
As human beings we seek freedom—political freedom, religious freedom, freedom from discrimination The free use of our minds and bodies—freedom of action in general—is an innate urge.
Each action we take is an act of self-expression. We often think of large-scale or important deeds as being indications of our real selves, but even how we sharpen a pencil can reveal something about our feelings at that moment. Do we sharpen the pencil carefully or nervously so that it doesn’t break? Do we bother to pay attention to what we’re doing? How do we sharpen the same pencil when we’re angry or in a hurry? Is it the same as when we’re calm or unhurried?
Even the smallest movement discloses something about the person executing the action because it is the personwho’s actually performing the deed. In other words, action doesn’t happen by itself, we make it happen, and in doing so we leave traces of ourselves on the activity. The mind and body are interrelated.
How do you feel when you’re unable to express yourself? Imagine you couldn’t speak or in some other way communicate. An extreme example perhaps, but how would it feel? In the same way that we suffer if we’re unable to express ourselves, we also languish when we cannot, for whatever reason, assert ourselves skillfully. Self-expression is natural, even inevitable, for all of us; and skilled, efficient self-expression goes beyond mere activity and enters the realm of art.
For instance, many of us realize that our handwriting tends to reflect our personalities or at least our state of mind at the moment we put pen to paper. However, when we become conscious of our handwriting as an act of self-expression, when we allow our creativity to flow through the brush or pen in a way that’s not only efficient but also coordinated and dexterous, we call what we’re doing calligraphy—the art of writing.
Just as writing can become calligraphy when it’s creatively, skillfully, and consciously performed, so can all other activities become art. In this case, we are reflecting upon life itself as an artistic statement—the art of living.
Sunday, December 11, 2011
Vacation
The Sennin Foundation Center will be closed from December 23 through January 2. The first classes of 2012 will be on January 3.
Thank you for supporting our dojo in 2011. We hope we can count on your continued support in 2012. We also hope you have great holidays and a very Happy New Year.
Tuesday, November 29, 2011
Saturday, November 26, 2011
We are never separate from the infinite and eternal life of the universe. Within this eternal process of existence is life and death. Regardless of whether we’re alive or dead, we are always part of this immense course of existence. Though we may change form between living and dying, we’re never separate from the endless process of life that is the universe.
Before we were born, we were in the wo...mb of our mother. And before we were in her womb, we were in the life of our father. Before we were in our father's life, we were in the great life of the universe. From this point of view we can conclude death is nothing but a return to our original state. We could perhaps also say death is what changes our present life into a new life. We return to the infinite and eternal life of the universe when we die.
So our minds must transcend both birth and death, being attached to neither. In a way, this is to go beyond rejoicing in birth and lamenting death. Thus we should ask ourselves if there’s any real reason to fear death. We must never fear death without a reason.
Nakamura Tempu, founder of the Shin-shin-toitsu-do system of Japanese yoga & meditation
Before we were born, we were in the wo...mb of our mother. And before we were in her womb, we were in the life of our father. Before we were in our father's life, we were in the great life of the universe. From this point of view we can conclude death is nothing but a return to our original state. We could perhaps also say death is what changes our present life into a new life. We return to the infinite and eternal life of the universe when we die.
So our minds must transcend both birth and death, being attached to neither. In a way, this is to go beyond rejoicing in birth and lamenting death. Thus we should ask ourselves if there’s any real reason to fear death. We must never fear death without a reason.
Nakamura Tempu, founder of the Shin-shin-toitsu-do system of Japanese yoga & meditation
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