The Sound of One Hand: Paintings and Calligraphy by Zen Master Hakuin
By Audrey Yoshiko Seo and Stephen Addiss
Reviewed by H. E. Davey
Hardcover: 288 pages
Publisher: Shambhala (September 7, 2010)
Language: English
ISBN-10: 1590305787
ISBN-13: 978-1590305782
Product Dimensions: 11.7 x 8.3 x 1.2 inches
Shipping Weight: 3.4 pounds
List Price: $65.00
Hakuin Ekaku (1685–1768) is one of the most prominent figures in the history of Zen, and this gorgeous book focuses on his life, ink paintings, and brush calligraphy. He can be considered the instigator of contemporary Japanese Rinzai Zen practice, one of the two major schools of Zen in Japan. He notably emphasized the value of koan practice in awakening, a technique that concentrates on the solving of metaphysical questions, such as the famous koan, “What is the sound of one hand clapping?”
He is also known for having rejuvenated the monastic existence of his time. However, his philosophy wasn’t restricted to the monastery. Hakuin was the classic Zen master of the people, celebrated for taking his instruction to every branch of society, to people in all walks of life, and his painting and calligraphy were particularly potent vehicles for those lessons. He used long-established Buddhist images and sayings—but also themes from legends and every day living—many of which are found in this lavishly illustrated hardback. Hakuin fashioned a new visual idiom for Zen: insightful, whimsical, and different from everything that came before. He is one of the most famous practitioners of Zensho, “Zen calligraphy.” Admirers of Japanese calligraphic art (shodo) should, however, note that not all calligraphy indentifies itself as “Zensho,” and this is but one of many styles of calligraphy practiced in Japan.
In his long life, Hakuin produced thousands of ink paintings and calligraphies. These works of art, combined with his voluminous writings, stands as a testament to his philosophy, illuminating why some feel he was the most significant Zen master of the past 500 years. All of this is thoroughly covered in The Sound of One Hand. The tone of the writing is more scholarly than light, and while his artwork and life is painstakingly examined, The Sound of One Hand will not serve as a basic introduction to Zen. It’s focus is on Hakuin’s Zen life and Zen art, and to some degree it presupposes an existing knowledge of Zen Buddhism.
The Sound of One Hand is a study of Hakuin and his art, illustrated with examples of his work, well-known pieces like “Three Blind Men on a Bridge” as well as lesser acknowledged artwork. It is, without a doubt, the most complete volume on Hakuin and his Zen art currently available.
About the Reviewer: H. E. Davey, the Director of the San Francisco Bay Area-based Sennin Foundation Center for Japanese Cultural Arts, is also the author of The Japanese Way of the Artist, Brush Meditation: A Japanese Way to Mind & Body Harmony, Japanese Yoga: The Way of Dynamic Meditation, and other works. He is a direct student of the famed calligrapher Kobara Ranseki Sensei, and he holds the highest rank in Ranseki Sho Juku calligraphic art. His Japanese calligraphy and painting has been in numerous exhibitions in Japan, where he has received multiple top awards. For more information about H. E. Davey and his classes in Japanese arts and forms of meditation, visit http://www.senninfoundation.com/
